Tag Archives: writer

Writing to Learn: Two Times Two

Writing to learn removes barriers that formal assessment might place in the way of creative thought and exploration.  Writing to learn activities are spontaneous, short, exploratory, expressive, informal, personal, unedited, and ungraded. This is much like what we expect brainstorming or pre-writing to be.  We can use writing to explore and muddle through complicated new ideas at both pre-writing and writing beyond the content.

Two tools discussed here are clustering and concept mapping.

Clustering

Clustering is a form of writing-to-learn using a kind of right-brained outlining first described by Gabrielle Rico in her book Writing The Natural Way (Tarcher, 1985).

  • Start with a key concept, term, or name in a circle at the center of a page.
  • Draw spokes radiating out from the center circle.
  • Through free-association, jot down all the ideas in circles arrayed at the end of the spokes, in whatever pattern “seems right.”
  • Add more spokes as ideas lead to further thoughts and connections.

For Pre-Writing.  For creative writing, this topic might be a self-selected, perhaps one from a previous writing.  As an entry point into a lesson, it might be a concept suggested by the instructor.  Writers can then use this diagram as an outline or list of subtopics they wish to cover. Then, they can use scaffolding that leads to the issue that they really want to focus on. It can be a guide to a group of issues related to one another in one region of the diagram.

For Writing Beyond the Content.  Clustering helps writers see how all the main ideas and details in a unit of study are connected together. In addition, clustering often reveals unrecognized connections and relationships. group writing

Concept Mapping  

Concept mapping, originating with Joseph Novak and Alberto J. Cañas, depends on relevant relationships among the ideas on the page.  This method is especially helpful for writers who are trying to learn and write about larger subject areas.

  • Begin with a list of subtopics, cause-effect relationships, or whatever aspects of their topics are relevant.
  • Add words and phrases to the list, drawing connections to other items.
  • Label lines (connections) to explain how the two items are related.

For Pre-Writing.  The relationships identified among the topics generated in a concept mapping session can springboard a writer into inquiry (What other connections might there be? Why are these two items connected?) or creative writing (What do I have to say about these connections?)

For Writing Beyond the Content.  Identifying relationships among concepts moves writers beyond the day’s lesson or week’s mini-unit.  Encouraging writers to think about the crossovers in their lives (other content areas, extra-curricular, family, community, and world) enhances understanding of the concept.  Fire up those synapses!

Going Digital A Google search for digital brainstorming or mind mapping tools will populate your screen with countless options.  I have had success with digital tools Padlet or Popplet  because they are so easy to use.

Resources provided by the Illinois Writing Project Basic 30 Team. Don’t forget to check out the IWP on Twitter!

Writing to Learn

Writing is more than just a language art.  It is a means of engaging and exploring subject matter more effectively.  Over the next weeks, we will share writing-to-learn activities that reach across many subject fields and teaching styles. As a result, we are helping students move into, through, and beyond the content of the curriculum.  However, we must first lay some groundwork.

writing

Writing to learn activities differ from formal expository or creative writing assignments in important ways.  They are…

  • SPONTANEOUS vs.  planned
  • SHORT vs. lengthy
  • EXPLORATORY vs. authoritative
  • EXPRESSIVE vs. transactional
  • INFORMAL vs. formal
  • PERSONAL vs. audience-centered
  • UNEDITED vs. polished
  • UNGRADED vs. graded

Writing as a tool for learning gives extra leverage to thinking.  Consequently, it works best when we personalize the language.  We invite writers to be informal, colloquial, and personal — as close as possible to everyday speech.  We should invite experimentation and risk-taking. Never mind proofreading and grading.  These results are used in class for ongoing exploration of content.

This week, here is a nugget for writing through the content to try in either face-to-face or online virtual class meetings.

Take a writing break.  Too often in presentations, teachers feel a need to plunge on and “cover the material.” (My online video lectures – guilty!)  In fact, students would benefit greatly from an occasional pause for them to write and reflect on what is being taught.  Some possible focusing questions might be these:

  • What are you thinking right now?
  • Where have you gone so far?
  • What questions are bugging you?

This break provides students a chance to consolidate what has been learned and prepare to go on.  

Resources provided by the Illinois Writing Project Basic 30 Team. Don’t forget to check out the IWP on Twitter!